What’s the Score?

Have you heard any good movies lately? 

Film is much more than a visual medium.  Many movies we cannot think of without hearing their unforgettable scores.  Some of the greatest musicians of our time compose for film, and this week, let’s hear from them.  With a vast selection to choose from, we’ll focus on scores spanning just a few short years, a time when the film music, it seems to me, was in its golden age.

I’ll be keeping my comments to a minimum this week.  Let’s listen to music.

Our theme this week
Unforgettable film scores of the 1960s

Bernard Herrmann:  “Psycho” (1960)

About Bernard Herrmann

• American, 1911-1975; active in film 1941-1975
• Educated at New York University and the Juilliard School
• Best known for his collaborations with Alfred Hitchcock during the 1950s and ’60s (he famously changed Hitchcock’s mind about the shower scene in Psycho, for which the director originally intended to have no music)
• One of the most original and innovative of film composers (his experimentations included the Theremin in the score for The Day the Earth Stood Still)

Honors

• Academy Awards:  1 Oscar, 5 nominations
• Two scores among the top 25 American film scores chosen by the AFI in 2005 (Psycho, #4; Vertigo, #12)

Select list of film credits

• Citizen Kane (1941)
• The Devil and Daniel Webster (1941)
• The Magnificent Ambersons (1942)
• Anna and the King of Siam (1946)
• Portrait of Jennie (1948)
• On Dangerous Ground (1951)
• The Day the Earth Stood Still (1951)
• The Trouble with Harry (1955)
• The Man Who Knew Too Much (1956)
• The Wrong Man (1956)
• Vertigo (1958)
• North by Northwest (1959)
• Psycho (1960)
• Cape Fear (1962)
• Marnie (1964)
• Fahrenheit 451 (1966)
• Taxi Driver (1976)

Psycho
Alfred Hitchcock, director
John L. Russell, director of photography

…58…59…60.