22 Jul 2010 @ 6:00 AM 

Thursday Minute
No. 135 | July 22, 2010

Chick Flicks Not Just for Chicks


Our theme this week

Chick flicks—one guy’s take

Featured this week (theme introduction)
Monday         —   When Harry Met Sally… (1989)
Tuesday         —   The Bridges of Madison County (1995)
Wednesday    —   Terms of Endearment (1983)

Erin Brockovich (2000)

erin brockovich

I decided the week needed Julia Roberts, the world’s preeminent female star over the past two decades.  Then the choice was, Which film?  Steel Magnolias (1988), with its cross-generational female ensemble?  Pretty Woman (1990), with the hooker role that made her a star?  One of her countless romantic comedies?  I don’t think so.  Let’s go with her Oscar-winning role as the single mom who takes on a big corporation and wins a legal settlement of more than $300 million.

Erin Brockovich is a populist hero for our times.  She’s street smart, a former beauty queen who can use her good looks to get what she needs, except to be taken seriously.  With no husband and three kids to feed, she finds work as a file clerk at her lawyer’s office.  She gets curious about a real estate case involving California utility PG&E, then starts digging.  She has no legal training but a sense of decency that won’t tolerate injustice, and eventually she uncovers evidence that the company contaminated the water supply of a small town, hid knowledge of the danger from residents, who suffered severe health problems.  It’s a story of an average citizen who takes on big money interests and wins—an improbable tale but true, based on the real-life experience of the woman who helped bring the corporation to justice in 1996.

Roberts has one of her juiciest roles and gives one of her best performances.  Albert Finney and Aaron Eckhart do good work in supporting roles.  In a more perfect world, Roberts would have as many parts in films like this as she does in romantic comedies.  Erin Brockovich has a serious side, but director Steven Soderbergh plays up the entertainment value too.  The film offers audiences a good time, and without much ado, something substantial too.


Erin Brockovich (2000)
Steven Soderbergh, director
Susannah Grant, writer
Trailer
 


Erin Brockovich (2000)
Julia Roberts


Quote of Note
“For the first time in my life, I got people respecting me.  Please, don’t ask me to give it up.”
—Erin Brockovich (Julia Roberts), Erin Brockovich (2000)

…58…59…60.

Posted By: John Farmer
Last Edit: 22 Jul 2010 @ 06:42 AM

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 19 May 2010 @ 6:00 AM 

Wednesday Minute
No. 99 | May 19, 2010

Six Packs


Our theme this week

Rat Packs, and other “Packs” that made movies

Featured this week (theme introduction)
Monday         —   Holmby Hills Rat Pack
Tuesday         —   Rat Pack

New Rat Pack

ocean's eleven_2001 

George Clooney said a wise thing in 2001 when the remake of Ocean’s Eleven was coming out.  “We’re never going to be as cool as those guys.”  On that he was right.  But on the other hand, Clooney and his pack of thieves made a better movie.

Clooney was careful to downplay the parallels between the “eleven” in the remake and the Rat Pack of the original.  But when you make a movie called Ocean’s Eleven, you invite people to make comparisons anyway.  In media shorthand they were the ”new” Rat Pack, even if they steered clear of the label themselves.

The remake was another heist movie, also set in Vegas, with a slick cast featuring some of the hottest names in Hollywood, including Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac and Andy Garcia.  Carl Reiner and Eliott Gould lent the production their veteran touch, and Julia Roberts, as Danny Ocean’s ex, added her million-dollar smile.  Steven Soderbergh, in one of his lighter turns, directed the action with finesse.  In short, the film is about movie stars having fun, and as a piece of juiced-up, pure entertainment, it was one of the decade’s more enjoyable pleasures.

Ocean’s Eleven was a hit with audiences, and Soderbergh, Clooney, and the pack made a couple of sequels, Ocean’s Twelve, in 2004, and Ocean’s Thirteen, in 2007.

Among the core team—Clooney, Pitt, Damon, Roberts, and Soderbergh—none is known for his or her singing prowess.  But like the earlier Rat Pack, they are frequent collaborators in the moviemaking business, both onscreen and behind the scenes.  Their work includes many popular and entertaining films from the past decade or more.  Here, some in which at least two were associated:  Out of Sight (1998), Erin Brockovich (2000), Confessions of a Dangerous Mind (2002), Syriana (2005), The Good German (2006), The Departed (2006), Michael Clayton (2007),  Burn After Reading (2008), and The Informant! (2009).


Ocean’s Eleven (2001)
Steven Soderbergh, director
Trailer


Ocean’s Twelve (2004)
Steven Soderbergh, director
Vincent Cassell

 

“How did you get by the laser fields in the Great Hall?”
A scene that works in any language.


Quote of Note
Rusty:  Why do this?
Danny:  Why not do it?  Cause yesterday I walked out of the joint after losing four years of my life and you’re cold-decking Teen Beat cover boys.  Cause the house always wins.  Play long enough, you never change the stakes.  The house takes you.  Unless, when that perfect hand comes along, you bet and you bet big, then you take the house.
Rusty:  Been practicing this speech, haven’t you?
Danny:  Little bit.  Did I rush it?  Felt I rushed it.
Rusty:  No, it was good, I liked it.  The Teen Beat thing was harsh.
—Rusty Ryan (Brit Pitt), Danny Ocean (George Clooney), Ocean’s Eleven (2001)

…58…59…60


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