Thursday Minute
No. 229 | March 24, 2011
Our theme this week
Performers inducted to the Rock and Roll Hall of Fame in 2011
Featured this week
(See Monday post for theme introduction and program note)
Monday — Alice Cooper
Tuesday — Dr. John
Wednesday — Darlene Love
My five stages of Neil Diamond:
One) my preteen years: best known as the guy who wrote songs for the Monkees (“I’m a Believer,” et al.), which meant something, and his solo stuff was catchy and very popular, in a good way (“Cherry, Cherry,” “Sweet Caroline”).
Two) my teen years: it was not hip to be a Neil Diamond fan in high school (though I would never deny my fondness for ”Solitary Man,” a great song to defend and earn some contrarian cred).
Three) the looking-back years: all in all, Diamond seemed better that I remembered at the time, someone who I could allow myself to like, even if it was in a campy, nostalgic sort of way.
Four) the not-so-young-anymore years: recognition that Diamond was, without qualification, a major pop writer and singer.
Five) the current view: not much different than Four, but surprise at the number of people of a certain age, many of them women, who regard Diamond as the pinnacle of pop, but unlike me, never went through stages Two or Three.
Diamond may have had a whole new career if The Jazz Singer had been a success. We’ll never know what might have been, but we’ll always have that one shining example of a cast with Diamond, Laurence Olivier, and Lucie Arnaz.
Diamond on film
Jonathan Livingston Seagull (1973)*
The Last Waltz (1978)**
The Jazz Singer (1980)
Saving Silverman (2001)**
* Original score.
** As himself.
Contributed songs to soundtracks of many films, including Pulp Fiction (“Girl, You’ll Be a Woman Soon,” performed by Urge Overkill).
…58…59…60.

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